[MUSIC] Puzzle - 'W.I.N.D.'
Props to egotrip for this find…here’s a new album
from this producer hailing from Portugal. We think
you’ll dig this instrumental hip-hop style with a
bit of a trippy flair…
Undiscovered or under appreciated, either way these are vocalists, artists, & musicians
worth getting to know.
Props to egotrip for this find…here’s a new album
from this producer hailing from Portugal. We think
you’ll dig this instrumental hip-hop style with a
bit of a trippy flair…
Here’s a great video and track featuring veteran
MC El Da Sensei from IseGold and Osi outta the
D…as in Detroit, Michigan. Their album Live From
Coney Island is out now…
In Toronto, one of Canada’s largest cities, there has
been a troubling epidemic that has affected the sizable
Somali community numbering almost 80,000 that
call it home. This epidemic of violence has taken the
lives of many of their young men. 50 to be exact.
And the mothers and other family members of the
slain have dealt with anguish in trying to find ways
to stop this violence with little to no assistance in
some respects from the police or government officials.
Two years ago, that anguish became fuel for a new
course of action. That action took shape and is now
Positive Change TO, an ad hoc advocacy group that
looks to chip away at the systemic issues that affect
the Somali-Canadian community in Toronto. Manifesto
had the chance to talk with Sagal Ali, one of the
many members of PCTO in April about Positive
Change and its work thus far.
Manifesto: Can you give us a quick overview of how
Positive Change was founded and it’s early beginnings?
PCTO: Sure. So in the summer of 2012, we saw a huge
spike in gun violence amongst Somali-Canadian
young men. We had six boys die in a matter of
weeks. To give you context, the year before there
weren’t any Somalis shot. So the community was
reeling from a shooting a week it seemed, and the
mothers especially felt really helpless. Their sons
were dying in the streets of Toronto but they didn’t
know what avenues they had to stop the violence
and keep their kids safe.
So a small group of Somali-Canadian mothers came
together and their intent really was just to raise
awareness of the violence. You know, our community
left a war-torn country and now kids are dying here.
They had enough. These incredible women came
together and began to speak out against the violence.
They took whistles - literally - and began protesting.
And an amazing thing happened - everyone listened.
Their goal was to get to the root of the problem: how
did we get here and what can we do to end the violence?
Manifesto: To date, what has been the response from the
Toronto educational system and the Toronto
Police Department and has it just been satisfactory
or progressively promising in your opinion?
PCTO: The response has been overwhelmingly positive.
Considering that we’re a volunteer-only group -
we’ve made amazing progress. So, if we were to
talk about policing first, we met with the police
division in an area that’s predominately Somali.
They, too, saw the problem but didn’t know much
about the Somali-Canadian community. After A
series of community consultations that we helped
facilitate, they actually created a Somali task force
which consists of two full time police officers
dedicated to the community. They would go and
talk to the kids, a little bit more of a positive
approach. And I think the task force now, I’d
have to double check, is up to four. And what the
task force has done is demystify the police force a
little bit. I think it created a bridge between the
community and the police. There was some hostility
going both ways. It’s been amazing with the police
and people who live in my neighborhood say they
feel safer and last summer wasn’t as bad as the
summer before.
Manifesto: Okay, good!
PCTO: And with education, we were approached by
the school board - well, we approached the
school board first saying we think there’s
serious gaps in the education system especially
when it comes to newcomer groups, and
especially the Somali community. They were
also really very receptive. It kind of seems like
they were just waiting for people to talk to
them - they didn’t have an organized group
approach them with a problem. So the board
put together a task force that we were sitting
on along with other community leaders. This
task force came up with a set of recommendations
to help Somali-Canadian young people thrive in
the school system. So it was quite an intensive
year. The recommendations were put forth and
were voted in. And now we’re at the stage where
we’re talking about implementation plans, which
is another positive story.
Photo Credit: PositiveChangeTO
Manifesto: How much of an impact have you seen in the
Somali-Canadian community in Toronto since Positive
Change was formed and with you working with
other groups, especially with who you’re reaching
out to, which are the youth at risk?
PCTO: Well, we don’t actually work with youth. Positive
Change’s mandate is not so much to be a service
provider. We don’t mentor youth because there’s
many, many other organizatons that could do that
much better than we ever could. Positive Change
really focuses on advocacy work on a societal level.
Doing what we’ve been doing with the school board,
with policing…we’re doing similar work with mental
health issues, working with the government and
other people who do provide these services. Our
impact is a little bit harder to define. We just feel
like there’s so many service providers and we already
have all these great relationships in the community.
But there’s nobody advocating for Somali-Canadians
on a higher level, on a decision-making level. We
went up to Ottawa to talk to members of Parliament
and they were like, ‘how come you guys never come
and talk to us?’ So we felt like that’s where the gap
was and just judging by the fact that we’ve never
had a negative reception ever, that to us means
there is a huge need and we were able to fill that.
Photo Credit: Positive Change TO
Manifesto: Okay, great. Thank you for fully delineating that,
that’s actually the springboard for my next
question. Just in terms of how the Somali-Canadian
community has been recieved by the government,
you would say that in light of the advocacy that
your group and other groups have brought to the
government’s attention that the response has been
overwhelmingly positive and accepting?
PCTO: Well, I think there’s a difference between positive response
and action, right? We’re dealing with a conservative government
right now, and their stance on crime is different than ours.
We’ve had a lot of healthy debate with decision makers and
they’ve always been respectful, but there hasn’t been any
real concrete changes made on a national level. And I say
national because although there’s a lot of problems happening
in Toronto, there’s also a large Somali Community in Alberta
and they’re also experiencing many of the same issues we’re
experiencing here. We meet and speak with politicians all the
time and they say, ‘yeah this is something that really needs
to change.’ But that’s where the conversation ends. And it’s
been frustrating but really all we can do is keep putting pressure
on the government and if that doesn’t work out, come election
time, mobilize people to vote for people who will make change
happen.
Manifesto: Has Positive Change had an eye to the future in
in terms of joining coalition forces with other groups
nationwide in Canada and also reaching out to those
Somali groups in the US that are dealing with this
issue as well?
PCTO: We’re always open to work with people, but at this point
it wouldn’t necessarily be a coaltion. It would be on an
event basis, a campaign basis. Speaking about our event
that was in Ottawa, that was in November when we went
up there - the Somali community in Ottawa was
incredible. They essentially opened up there homes to
us and a lot of us stayed with people that we never met
before. And we were partnered up with a lot of amazing
organizations working out of Ottawa. So, I see Positive
Change reaching out to organizations in Ottawa, Alberta
or even Minnesota which is where we have a big Somali
population as well on a case by case basis. We’re quite
young…it’s kind of crazy because it feels like we’ve been
doing our work for so long but it’s only been less than two
years now. So, I don’t know what the future holds. But
we’re just going to soldier on and whoever wants to
help along the way, we’re happy for the support.
Manifesto: This is obviously a very emotional and personal cause
to advocate for. What has been the sources of strength
for you and others in Positive Change to keep fighting
for resolutions and change in the midst of having
obviously full lives as individuals?
PCTO: That’s a really good question. People ask me that a lot,
because I have a full-time job, a part-time job and I
do this. But, I don’t think anybody in the group enjoys
the work that we do. I think it’s difficult to enjoy. But
I think we all feel like we don’t have a choice. And if
we don’t do the work, who will? And I think people
in general are like, ‘yeah that’s horrible’ and ‘that’s
such a big problem’, but few people are willing to put
in the work. And we have an amazing group of people
who are dedicated volunteers. A lot of them, in addition
to having jobs, have families. I can’t imagine how they
make the time. But I feel like this is something we
have to do and if we don’t, then this is just the beginning
of a huge, huge problem. And we all have our personal
stories that have brought us to the group, as you know
I’ve lost my cousin…my cousin’s mom who’s been one
of our leaders, she’s been there every week. This is a
woman who’s in her 60’s who’s lost a son, has a full
time job, still has children at home…and if she can be
there every week, there’s no reason why I can’t be
there either.
Manifesto: Lastly, what do you hope to see Positive Change
accomplish for the rest of 2014?
PCTO: I hope that we keep the momentum up. I hope that
we…we’re always afraid of summer. Summer is when
the gun violence always spikes. So we’re all a little
bit nervous about the summer and we hope that
through our continued effort, on school board level
especially since that’s we’re focusing on now, if we
can work with the school board and work on
implementing those recommendations I talked about
earlier, maybe we can start seeing some of those in
the next school year starting in September, that
will be a huge, huge success. And if…you know, we
can’t really prevent crime. But by being out there,
if someone thinks twice about doing something stupid,
then we’ll have been successful.
For more information about Positive Change Toronto,
visit their website and check them out on Facebook
as well as Twitter.
With the onset of summer, you want to fframe
every day of the season with a melodic backdrop
that is lush and easy. With Andrea Remondini’s
latest effort, Non Sequitur, you find a good bit
of music to begin that process. One look at the
career thus far of the Verona, Italy native shows
that he’s put a lot of time into crafting harmonious
soundscapes. He categorizes his sound as ‘progressive
instrumental synth pop’, and with this release you
see that come to life like gentle brushes for a
watercolor painting. Non Sequitur doesn’t begin,
it ascends . Remondini lets soft chords construct
a bridge for his synth work to travel. And he
easily ramps up the mood throughout the entire
piece. Listening to this in its entirety will definitely
brighten your summers and other seasons ahead.
Non Sequitur is available now from the
artist himself below.
http://www.andrearemondini.com/
http://andrearemondini.bandcamp.com/
Music videos: http://youtu.be/hflz2_SkAGw
For those who like their EDM with a somewhat
comically cynical edge, they may have found a
like-minded spirit in the form of Eluusif. The artist
hails from London, United Kingdom and has put in
some work as a multimedia designer as well as
making a name for himself on the electronic
dance music. His subject matter is a crisp and
striking blend of pop observations, snappy
beats and a constant need for compelling rhythm.
His latest EP, Aliens Do It Better, serves all of
that up in succinct form. The first track, ‘Hair
Like Skrillex’ is a dreamy track that balances
strident bass along with gentle vocals to fit
a near Zen trance harmony. ‘No I Don’t Want
To Be Your Facebook Friend’ is a track that
features a voice basically rejecting vapid social
media contact all throughout a charging set
of synths and dubstep-tinged drums. And
‘Justin Bieber Is An Alien’ is a subdued but
effective contrast sonically that eases you into
a chill mode. With this project, Eluusif sits
ready to cast more vibes out there in search
of the intelligent life through music. Aliens
Do It Better is availble now through his
page.
http://www.eluusif.com
https://www.facebook.com/Eluusif
http://soundcloud.com/eluusif
http://www.youtube.com/itseluusif
https://twitter.com/eluusif
Photo Credit: basefm.co.nz
There’s a few key words that can describe Estere’s
music that also begin with the letter ‘E’. Eclectic.
Extraordinary. Both of those words come to mind
when listening to her debut self-titled album. The
Wellington, New Zealand singer has been featured
on Manifesto before due to her collaborations with
Red Bull Music Academy and popular Mello Music
Group producer/MC Oddisee.
The singer refers to her style as ‘electric blue witch
hop’ and it fits. Estere’s partner in her unique music
is an MPC that goes by the name ‘Lola’. Together
they draw the listener into a world of wonder. One
listens to Estere’s voice and finds it a great melange
of the sultry and enigmatic that brings to mind
shades of Erykah Badu and Caron Wheeler. It
stands out well on the first track, ‘Reptilian Journey’,
a look into the life of reptiles and possibly our own
souls. ‘Thoughts’ gives off reggae tinged vibes with
a snap that lifts the spirit. ‘Culture Clash’, one of
the standout lead singles envelops the listener
in a lush blanket woven with Estere’s voice and
a production backdrop that lets piano harmonies
ripple like waves. ‘Patchwork Soldier’ induces a
good deal of mellowness via simple hums and a
trance-like beat. With the impact this debut album
is sure to have, Estere will provide enchantment
for quite some time to the musical world. The
album is available now through her Bandcamp
page.
https://soundcloud.com/estere
https://www.facebook.com/EstereLola
https://twitter.com/Esterelola
Tito Lopez has been putting it down for
some time, most notably with his ‘Y.O.U.’
mixtape. The Mississippi MC SLAYS the
‘Chiraq’ instrumental that’s now the popular
beat to ride these days and drops knowledge
besides the fact. It’s worth a listen.
Fresh voices replenish music like rainfall does to
the ocean. In the same way, Lael Summer stands
poised to do the same with her debut album,
Burden To Bear. Summer is a New York City
native who has accomplished quite a bit to date;
she’s signed to True Groove Records, and has
performed at Central Park Summerstage and
has been featured on NPR all while being a senior
in the University of Southern California’s Popular
Music Program. Burden To Bear gives the listener
a walkway into Lael’s personable vocal stylings,
at once gentle but compelling in wys similiar to
Astrud Gilberto. ‘In Time’ is a bluesy, swaying tune
with delicate guitar work and percussion that
frames Lael’s voice wonderfully. Her cover of
Hall and Oates’ ‘Do What You Want Be What You
Are’ is a standout because of the way Summer
slows down on her version, letting her voice
arc sweetly to accentuate every note. And with
Unconditionally’, Lael brings some spice to a
direct ballad about love that would do Santana
proud. Burden To Bear is an album that dazzles
not because it’s flashy, but because it is delicate
and delivered just like spring rainfall. The album
is available at her Bandcamp page.
http://laelsummer.bandcamp.com/
https://soundcloud.com/laelsummer/sets/burden-to-bear
http://laelsummer.com
@laelsummer
Critcially regarded singer/songwriter Marla Mase returns
with new music a year after her last album release. This
new EP, Half-Life marks a new move for Marla as this is
her first release with True Groove Records. The singer
has taken her unique style and made it more personal,
with the title being inspired by a quote from literary
great Junot Diaz. There’s a distinct sense of poetic
vulnerability throughout Half-Life. The EP starts out
with a charging ditty, ‘Drown In Blue’ that gives us
Marla’s signature growling and magnetic voice. Then
there’s a neat little change of pace in the next track,
‘Half-Life’. It’s mellow and lulls you into a good groove
with production that’s sparse enough and lets guitars
jump in to punctuate Marla’s wistful lyrics. And her
leaning to introspective lyrics that tie into a few
issues for women still remains a strong point with the
plainly titled, ‘Things That Scare Me.’ Half-Life is a
succinct but splendid release for Marla and one that
will delight her fans and new listeners alike. The album
is available now at her Bandcamp page.
http://marlamase.com
http://http://www.facebook.com/pages/Marla-Mase/170044966351982
http://twitter.com/marlamase
http://marlamase.bandcamp.com/album/speak-deluxe
http://jango.com/marlamase
http://reverbnation.com/marlamase
Recently we’ve seen a few groups seize upon an
initiative to incorporate or be inspired by the era
of classic rock that still soothes. And into this fray
of new music inspired by the old comes a new group,
Plastic Yellow Band. The band hails from South
Carolina and is fronted by Gerry Jennings, lead
singer and songwriter. Rounding out the group
currently is Joe Hurt on bass and Karl Derrick Tesch
on the drums. The group’s debut album, Breathe
Air is an effort to link together the reverence and
creativity found in classic rock’s composition to
today’s evolved sound without it being all about
sweetening via production boards. The result is
stirring.
Breathe Air starts out with ‘Lonely Place’, a soft
ballad that twinkles and lets Gerry’s vocals drive
the tune to a lofty point. ‘Oil Kings’ is rollicking
with enough knock and sharp guitar riffs that
remind you of Fleetwood Mac in a way. ‘She’s
My Woman’ is grinding and good to the ears.
The centerpiece of Breathe Air is the trilogy
of songs simply entitled ‘Sunlight’. These three
songs fully stretch the band’s rhythmic exploration
in a melodic blend of psychedelic-influenced
chords and gentle vocals. Plastic Yellow Band
has made sure that they’re giving sufficient
breath to this new wave of music with this
debut. Breathe Air is available now via their
website.
http://www.plasticyellowband.com/
http://www.youtube.com/user/PlasticYellowBand
https://www.facebook.com/PlasticYellowBand