<?xml version="1.0" encoding="UTF-8"?>
<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Thu, 31 May 2012 08:32:38 GMT--><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>Due Process</title><link>http://manifestomag.net/due-process-reviews/</link><description></description><lastBuildDate>Wed, 15 Feb 2012 08:25:00 +0000</lastBuildDate><copyright></copyright><language>en-US</language><generator>Squarespace Site Server v5.11.81 (http://www.squarespace.com/)</generator><item><title>THE DOZENS...Mixtapes of The Year.</title><dc:creator>Preach</dc:creator><pubDate>Thu, 29 Dec 2011 21:11:35 +0000</pubDate><link>http://manifestomag.net/due-process-reviews/2011/12/29/the-dozensmixtapes-of-the-year.html</link><guid isPermaLink="false">354524:3780364:14372469</guid><description><![CDATA[<p>&nbsp;</p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifestothedozensmixtapestemp.jpg?__SQUARESPACE_CACHEVERSION=1325193139619" alt="" /></span></span>12 mixtapes, 12 collages of cool.<br /><br />-------------<br /><br /><strong><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/eLZHi-eLmatic-cover.jpg?__SQUARESPACE_CACHEVERSION=1326315072818" alt="" /></span></span><br /><br />elZhi - elMatic</strong></p>
<p class="FreeForm">No disrespect to Fashawn, who did an excellent "Illmatic" revisit of his own, but eLZ <br />is and always has been a beast. He and Will Sessions made an album that could truly <br />stand apart from its predecessor. - Levar F.M.<br /><strong><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-commercial-photos/730477300-1.jpg?__SQUARESPACE_CACHEVERSION=1326315164726" alt="" /></span></span><br /><br />Stalley &ndash; Lincoln Way Nights</strong><br /><br /> One of the best mixtapes from an up and coming MC. &nbsp;Hands down best<br /> for content overall. It&rsquo;s way too thorough for a mixtape category. It<br /> can literally take on any album released this year.&nbsp; - Stress<br /> <strong><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-commercial-photos/Danny-Brown-XXX-Artwork-e1313426547172.jpg?__SQUARESPACE_CACHEVERSION=1326315244669" alt="" /></span></span><br /></strong></p>
<p class="FreeForm"><strong>Danny Brown &ndash; XXX</strong><br /><br /> Quickly becoming a favorite MC of mine. Detroit got MC&rsquo;s and Danny<br /> Brown is hanging with the elite. He tightropes the perfect balance of<br /> hardcore lyrics with over the top delivery. - Stress</p>
<p class="FreeForm"><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-commercial-photos/50cent_thebig10_1.jpg?__SQUARESPACE_CACHEVERSION=1326315718652" alt="" /></span></span></p>
<p class="FreeForm"><strong>50 Cent &ndash; The Big Ten</strong><br /> <br /> Late comer in the year but worth the wait. Had the feel of an old<br /> school 50 mixtape and was equipped with his sing songy hooks hard<br /> lyrics and infectious beats it rivals, but does not beat out War Angel.<br />- Stress<br /><strong><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-commercial-photos/Tilt.png?__SQUARESPACE_CACHEVERSION=1326315354434" alt="" /></span></span><br /><br />Cocaine '80s - Ghost Lady</strong><br /><br />No I.D. on the boards and a cast of talented musicians with Common at<br />the forefront make up Cocaine '80s and provided this mid-summer gem,<br />the second of two EPs. Listen to this and tell me you're not feeling it.<br />- Preach<br /><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-commercial-photos/20110321-FEAROFGOD1.jpg?__SQUARESPACE_CACHEVERSION=1326316771994" alt="" /></span></span><br /><strong><br />Pusha T - Fear of God</strong><br /><br />1/2 of The Clipse, Pusha made 2011 his year for slinging clever metaphors<br />and this mixtape further solidified his position among today's elite MC's and<br />got him a roster spot on Kanye's G.O.O.D. label. Anyone who doubts Pusha's<br />influence can only look across the blogosphere and see how much this album<br />was part of people's soundtracks. - Preach<br /><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/frankocean-nostalgia.jpg?__SQUARESPACE_CACHEVERSION=1326314973688" alt="" /></span></span><strong><br />Frank Ocean - Nostalgia</strong><br /><br />The NOLA native and R&amp;B standout from the Odd Future clan made this mixtape<br />a bold announcement of his talent to the world...and still remained out of the<br />public eye enough to stoke up more intrigue. Listening to this mixtape, you got<br />the feeling that you were listening to the birth of a musical genius. - Preach<br /><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-commercial-photos/112911-music-bob-epic-mixtape.jpg?__SQUARESPACE_CACHEVERSION=1326341842754" alt="" /></span></span><strong><br />B.o.B. - Every Play Is Crucial</strong><br /><br />Bobby Ray has JOINTS on here. <span class="commentBody">On "God's Gift" he spazzes out lovely. And it's stocked with<br />a nice balance of tracks with features and the ATL native on his solo mission. - Forge<br /><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-commercial-photos/The-Weeknd-House-of-Balloons.jpg?__SQUARESPACE_CACHEVERSION=1326342723545" alt="" /></span></span><strong><br /></strong><strong>The Weekend - House of Balloons<br /></strong><br />This Toronto singer pretty much made this mixtape THE go-to slow jam joint<br />of 2011. You know it's serious when you hear it bumping out of Dominican hair<br />salons as you walk by. - Preach<br /><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/jamboymagic.jpg?__SQUARESPACE_CACHEVERSION=1326342953063" alt="" /></span></span><strong><br /></strong></span><span class="commentBody"><strong>Money Making Jam Boys - The Prestige:Jam Boy Music</strong><br /><br />The Prestige - Jam Boy Magic is better than most peoples albums!</span> - Forge<br /><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-commercial-photos/Freddie_Gibbs_Cold_Day_In_Hell-front-large.jpg?__SQUARESPACE_CACHEVERSION=1326343633235" alt="" /></span></span><br /><strong>Cold Day In Hell - Freddie Gibbs</strong><br /><br />Serious hardcore rap with mellow beat production makes Freddie Gibbs' effort<br />a winner here from coast to coast. Trunk music for the digital age. - Preach<br /><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/STS-The-Illustrious.jpg?__SQUARESPACE_CACHEVERSION=1326343996557" alt="" /></span></span><br /><strong>STS - The Illustrious</strong><br /><br />Philly's got another gem for it's hip-hop crown right here with this<br />man's mixtape. - Forge</p>]]></description><wfw:commentRss>http://manifestomag.net/due-process-reviews/rss-comments-entry-14372469.xml</wfw:commentRss></item><item><title>THE DOZENS: Singles of The Year</title><dc:creator>Preach</dc:creator><pubDate>Thu, 29 Dec 2011 21:09:02 +0000</pubDate><link>http://manifestomag.net/due-process-reviews/2011/12/29/the-dozens-singles-of-the-year.html</link><guid isPermaLink="false">354524:3780364:14372435</guid><description><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-original-photos/manifestothedozenssinglestemp1.jpg?__SQUARESPACE_CACHEVERSION=1325193004582" alt="" /></span></span><br />12 singles, 12 shots of musical style.<br /><br /></p>
<p>----------------<strong><br /><br />Nas - "Nasty"</strong></p>
<!-- @font-face {   font-family: "ヒラギノ角ゴ Pro W3"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }p.FreeForm, li.FreeForm, div.FreeForm { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; color: black; }div.Section1 { page: Section1; } -->
<p class="FreeForm">A sincere "fuck you" if you don't think that Nasir Bin Olu Dara Jones didn't snap on this. Make room for the King, ni--a.<br /><strong><br />Snoop Dogg - "Its D Only Thing"</strong><br /><br />The West Coast G's shoutout to the Pittsburgh Steelers off <em>'Doggumentary' </em>is SERIOUS<br />motivational hip-hop. David Banner on the boards makes the bass snap extra hard.<br /><strong><br />Slaughterhouse 2011 BET HipHop Awards Cypher</strong><br /><br />Yelawolf, Slaughterhouse and Em changed this cipher FOREVER with this performance.<br />Not a single in the technical sense but we bet you have it on your iPod..Hi Rihanna.<br /><strong><br />'Give It To You' - Elle Varner w/ J.Cole</strong><br /><br />Remember those days where your day wasn't complete without a fly sister dropping<br />sweet melodies over a hip-hop breakbeat? Elle Varner fulfills your fix with the help<br />of Young Simba himself.<br /><strong><br />Electric Sunshine - Recloose</strong><br /><br />One of those ambient dance tracks that can make you move and put you at ease,<br />Recloose shows another side of the ongoing musical re-emergence of Detroit.<br /><strong><br />You Already Knew - Black Star</strong><br /><br />Talib Kweli and Yaasin Bey gave us a sample of what's to come with their new <br />album in 2012 with this quintessential soul-filled track.<br /><br /><strong>The Greatness - Pac Div</strong><br /><br />The SoCal hip-hop trio put their stamp on 2011 with this lead single from their<br />album, <em>The Div.</em><br /><strong><br />Rolling In The Deep - Adele</strong><br /><br />The British songstress threw us all for a loop with this song from her second album,<br />and inspired a few superstar covers.<br /><strong><br />N----s In Paris - Jay-Z &amp; Kanye West</strong><br /><br />The track that inspired umpteen freestyles, spawned not one but TWO catchphrases<br />of the year and was also responsible for an NYC subway rendition not soon forgotten<br />on Youtube.<br /><strong><br />Words I Never Said - Lupe Fiasco w/Skylar Grey</strong><br /><br />Lupe channels his label frustrations and other issues perfectly into this track, supported<br />by stirring vocals from Skylar Grey and in the process expanded his fanbase greatly.<br /><br /><strong><br />Thursday - The Weeknd</strong><br /><br />This song made The Weeknd a star and raised more than eyebrows on the ladies.<br /><strong><br />Lonely Boy - The Black Keys</strong><br /><br />Serious hard-driving rock made this the centerpiece for their album <em>El Camino.<br /></em></p>]]></description><wfw:commentRss>http://manifestomag.net/due-process-reviews/rss-comments-entry-14372435.xml</wfw:commentRss></item><item><title>THE DOZENS...Albums of The Year</title><dc:creator>Preach</dc:creator><pubDate>Thu, 29 Dec 2011 20:21:46 +0000</pubDate><link>http://manifestomag.net/due-process-reviews/2011/12/29/the-dozensalbums-of-the-year.html</link><guid isPermaLink="false">354524:3780364:14371925</guid><description><![CDATA[<p>&nbsp;</p>
<p><span class="full-image-block ssNonEditable"><img src="http://manifestomag.net/storage/manifesto-original-photos/manifestodozensalbumtemp3.psd?__SQUARESPACE_CACHEVERSION=1325190180203" alt="" /></span><span class="full-image-block ssNonEditable"><img src="http://manifestomag.net/storage/manifestodozensalbumtemp3.jpg?__SQUARESPACE_CACHEVERSION=1325190205801" alt="" /></span><br />12 Albums, 12 more additions to your collection from the team. <br /><br />------------<br /><br /><strong>Preach's 3 Picks for 2011</strong><br /><br />This was a difficult process only because 2011 was chock full of albums<br />that caught the eye and made residence in your gut. These three albums<br />aren't my top 3, but they made the year that much more vivid. <br /><br /><span class="full-image-block ssNonEditable"><img src="http://manifestomag.net/storage/manifesto-commercial-photos/oddisee-rcp.jpg?__SQUARESPACE_CACHEVERSION=1325190350368" alt="" /></span><br /><strong>Oddisee - Rock Creek Park<br /></strong><br style="font-size: 80%;" />The album as travelogue is a classic element of music. That<br />said, it can be hit-or-miss. Oddisee, the extraordinary MC<br />and producer out of Washington DC and part of Mello Music<br />Group strikes gold with <em>Rock Creek Park</em>. Listening to this<br />album envelops you in sultry sounds that have all the heft of<br />hip-hop's drums and enough soul to make Afro-Sheen entertain<br />a comeback. Each track on this EP has immediate replay value.<br />Oddisee displays a true gift of interpreting scenes and sight <br />through sound; "Closed After Dark" conveys the electricity<br />of U Street at night, and 'Scenic Route To You' has all the flavor<br />of a summer BBQ over by Shaw Ave. <em>Rock Creek Park</em> is indeed<br />a can't miss part of your soundtrack while stepping through the<br />nation's capital.</p>
<p><span class="full-image-block ssNonEditable"><img src="http://manifestomag.net/storage/manifesto-commercial-photos/thievery.jpg?__SQUARESPACE_CACHEVERSION=1325191681066" alt="" /></span><span style="font-size: 120%;"><br /></span><strong style="font-size: 90%;"><span style="font-size: 120%;">Theivery Corporation - Culture of Fear</span><br /><br /></strong><span>It seems that this new album from Thievery Corporation was made to<br />be a rallying cry for 2011, a year that saw the Middle East forever <br />changed by revolution and the rise of dissent against corruption and<br />economic hardship in the form of Occupy Wall Street here in the States.<br />The sixth album from Eric Hilton and Rob Garza doesn't disappoint at <br />all, with their ambient sound that truly reflects a global voice within. It's<br />thought-provoking yet soothing. <em>Culture of Fear</em> is at it's best with tracks<br />like 'Tower Seven', an insistent melody that speaks to its dub roots and <br />carries a powerful message without words getting in the way. "Take My <br />Soul" is another standout, with the gentle vocals of LouLou Ghelichkhani<br />making this track a perfect backdrop for a lounge, hookah bar or a rally.<br /><em>Culture of Fear</em> is one of those albums that has the possibility to be the <br />framework for moments of the soul one is just allowing themselves to<br />experience.<br /><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/action-b.jpg?__SQUARESPACE_CACHEVERSION=1325561702864" alt="" /></span></span><br /><strong>Action Bronson &amp; Statik Selektah - Well Done<br /></strong><br /></span><span>Action Bronson broke into the hip-hop world and threw everyone for a <br /> loop. Doubters called him everything from a Ghostface clone to a mockery<br /> and all he's done in response is make himself one of the top MC's to watch<br /> as 2011 closed. Nothing brought that point home more than his collaboration<br /> with Statik Selektah for his follow-up to <em>Dr. Lecter</em>, <em>Well Done</em>. The album is<br />a powerhouse, taking you back to the days of New York hip hop when they<br />used to pump full albums on college radio stations late nights. Action doesn't<br />make the contemporary move of overloading his album with guest features;<br />in fact the guest artists complement the entire EP greatly. 'Cocoa Butter'<br />Nina Sky is a slice of smooth, and 'Terror Death Camp' with his ace Mayhem<br />Lauren and BK up-and-comer Maffew Ragazino is a neck-snapper. And "Not<br />Enough Words" should be on anyone's motivational playlist. Statik Selektah<br />contributes impeccable production, helping Bronsonlini to craft a winning <br />musical dish.<br /><br /></span></p>
<!-- @font-face {   font-family: "ヒラギノ角ゴ Pro W3"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }p.FreeForm, li.FreeForm, div.FreeForm { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; color: black; }div.Section1 { page: Section1; } -->
<p class="FreeForm"><strong>Levar FM's 3 Picks of 2011</strong></p>
<p class="FreeForm">&nbsp;</p>
<p class="FreeForm">My reply to <a href="http://twitter.com/Combat_Jack/status/151840662923395072"><strong><span style="color: #000099;">@Combat_Jack</span></strong></a> regarding 2011 being an outstanding year for hip-hop<br />was based in the notion that there must be a tremendous shift in where you search for<br />quality music, and terrestrial radio and bullshit singles-only mixtapes ain&rsquo;t those places.<br />Pharoahe Monch. Phonte. Random Axe. Danny Brown - and Danny Brown and Black Milk.<br />The Roots. Roc Marciano. TiRon x Ayomari. Pac Div. Action Bronson. Countless others.<br /> There were so many out-the-gate certified smashes this year, it's made this an incredibly <br />difficult task; how do I whittle down my favorites to a list of THREE?</p>
<p class="FreeForm">I tried.<br /><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/MED-Classic-LP.jpg?__SQUARESPACE_CACHEVERSION=1325566698626" alt="" /></span></span></p>
<p class="FreeForm"><strong>M.E.D. - Classic</strong></p>
<!-- @font-face {   font-family: "ヒラギノ角ゴ Pro W3"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }p.FreeForm, li.FreeForm, div.FreeForm { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; color: black; }div.Section1 { page: Section1; } -->
<p class="FreeForm">One of the deciding factors for me to deem an album "great" is how many <br />fast-forward-worthy tracks it has. MED's "Classic" has none. Stellar production<br /> by Georgia Anne Muldrow, Alchemist, Karriem Riggins, and the dynamic sibling <br />duo of Madlib and Oh No (the former providing the majority of the album's sound) <br />serve as a proper complement to MED's off-kilter delivery. This disc may be one<br /> that only the die-hard Stones Throw set can appreciate, but I'll be damned if it isn't <br />head and shoulders above most other rappers' '11 efforts.<span>&nbsp;&nbsp; <br /><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-commercial-photos/kendrick-lamar-section-80-cover-313x313.jpg?__SQUARESPACE_CACHEVERSION=1325566981382" alt="" /></span></span></span></p>
<!-- @font-face {   font-family: "ヒラギノ角ゴ Pro W3"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }p.FreeForm, li.FreeForm, div.FreeForm { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; color: black; }div.Section1 { page: Section1; } -->
<p class="FreeForm"><strong><span>Kendrick Lamar - Section.80</span></strong><br /><br /> There's a reason - several, actually - why it was a poignant moment <br />when Snoop Dogg crowned Kendrick Lamar the leader of the revived <br />West Coast hip-hop movement. "Section 80" is proof positive. The LP <br />plays like a concept album, built on the premise of a congregation gathered <br />around a bonfire moderated by an O.G. (think Furious Styles in "Boyz N The Hood"). <br />Whether he accepts it or not, Kendrick speaks on behalf of a generation, the 80's <br />crack babies - issues like self-esteem, substance abuse, politics, and even<br /> prostitution are prominently featured. The late GURU said, &ldquo;It&rsquo;s mostly the voice,&rdquo; <br />and Kendrick's voice breaks through with urgency. Heavy is the head that wears<br /> the crown, but just don't give him any handouts - he will break your wrist.<br /><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-commercial-photos/Common-the-dreamer-the-believer.jpg?__SQUARESPACE_CACHEVERSION=1325567065988" alt="" /></span></span></p>
<!-- @font-face {   font-family: "ヒラギノ角ゴ Pro W3"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }p.FreeForm, li.FreeForm, div.FreeForm { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; color: black; }div.Section1 { page: Section1; } -->
<p class="FreeForm"><strong>Common - The Dreamer/The Believer</strong></p>
<p class="FreeForm">Full disclosure - I waited all year for Common's LP to drop. When you root <br />for an artist whose legacy is pretty much secure, but whose next move is always<br /> scrutinized, you hope that artist knocks it out the park. Com did that. "Be" is <br />a certified classic and "Finding Forever" was solid, but "Universal Mind Control" <br />was &hellip; "Electric Circus" revisited. Consider "The Dreamer/The Believer" his return<br /> to form. The album isn't as well-rounded as "Be" but Common sounds comfortable<br /> returning to work with No I.D. Relishing in his success ("Blue Sky"), reminding <br />October's Very Own what happened to Ice Cube ("Sweet") or taking shit back <br />to the Chi-Town hustler mentality ("Raw"), Rashid made sure the cipher was <br />complete for 2011.<br /><strong><br />Stress' Top 3 Albums of 2011</strong><br /><br />My picks are based on the time each has stayed in my iPhone. And I<br /> change Playlists every month.<br /> <br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-commercial-photos/phonte-charity.jpg?__SQUARESPACE_CACHEVERSION=1326344789417" alt="" /></span></span><br /><strong><br /> Phonte-Charity Starts At Home</strong><br /><br /> What can I say? Dope rhymes, Dope beats, real singing and rap hybrids,<br /> dope all around outing from Phonte who seems to get better and better<br /> after each outing.<br /> <strong><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-commercial-photos/jay-z-kanye-west-watch-the-throne-full-album-stream-1.jpg?__SQUARESPACE_CACHEVERSION=1326344738761" alt="" /></span></span><br /> 2)Jay-Z &amp; Kanye West - Watch the Throne</strong><br /> When I first heard this freaking thing I was hit from all sides. The<br /> vintage beat selection, ping pong verbal sparring, and underlying<br /> &ldquo;theme&rdquo; of this album gets my vote for one of the best of the year.<br /> <br /> <span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-commercial-photos/radioactive.jpg?__SQUARESPACE_CACHEVERSION=1326344845186" alt="" /></span></span><br /> <span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-commercial-photos/the-roots-undun.562.325.c.jpg?__SQUARESPACE_CACHEVERSION=1326344888465" alt="" /></span></span><strong><br /> Radioactive - Yelawulf/ The Roots Undun</strong><br /> These two came late in the year, but made it to my playlists for more<br /> than two weeks. Solid production with unique beats and instrumentation<br /> qualifies these into a toss up #3 for 2011. I was especially surprised<br /> at the raw artistry of Yelawulf's solid first outing.<br /> <strong><br />Forge's Picks</strong><br /><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-commercial-photos/cover_murs-love-and-rockets1-1-465x465.jpg?__SQUARESPACE_CACHEVERSION=1326399581835" alt="" /></span></span><strong><br />Murs &amp; Ski Beatz - Love &amp; Rockets Vol.1: The Transformation</strong><br /><br />This album is FIRE. Full of West Coast flavor and expert lyricism we've<br />come to expect from Mr.Murs.<br /><br /><span class="full-image-block ssNonEditable"><span><img src="http://manifestomag.net/storage/manifesto-commercial-photos/adele21.png?__SQUARESPACE_CACHEVERSION=1326401778745" alt="" /></span></span><br /><strong>Adele - 21</strong><br /><br />It's hard to put out an amazing album on your first try, even harder to follow<br />it up with another one. Adele does just that with this gem.</p>]]></description><wfw:commentRss>http://manifestomag.net/due-process-reviews/rss-comments-entry-14371925.xml</wfw:commentRss></item><item><title>Song: Anthony David - All Day I Dream</title><category>Anthony Hamilton</category><category>Music Reviews</category><dc:creator>Preach</dc:creator><pubDate>Mon, 01 Aug 2011 03:19:45 +0000</pubDate><link>http://manifestomag.net/due-process-reviews/2011/7/31/song-anthony-david-all-day-i-dream.html</link><guid isPermaLink="false">354524:3780364:12354371</guid><description><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img src="http://userserve-ak.last.fm/serve/252/234534.jpg?__SQUARESPACE_CACHEVERSION=1312168800005" alt="" /></span></span><br />New joint for those soft summer evenings by Anthony<br />Hamilton...there's a slow, easy feel to this track and <br />he doesn't let loose with his vocal strength until near<br />the end. A good song for those BBQ's!<br /><br />Anthony Hamilton - All Day I Dream<a href="http://www.sharebeast.com/bst68zkr5ayo"><br />http://www.sharebeast.com/bst68zkr5ayo</a></p>]]></description><wfw:commentRss>http://manifestomag.net/due-process-reviews/rss-comments-entry-12354371.xml</wfw:commentRss></item><item><title>Restaurant: RUB BBQ</title><category>Restaurant Reviews</category><dc:creator>Preach</dc:creator><pubDate>Mon, 01 Aug 2011 02:25:46 +0000</pubDate><link>http://manifestomag.net/due-process-reviews/2011/7/31/restaurant-rub-bbq.html</link><guid isPermaLink="false">354524:3780364:12354016</guid><description><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img src="http://4.bp.blogspot.com/_t08fDnwwPOw/TUNMaciURNI/AAAAAAAAAeQ/Nrk2qBbb7Ls/s1600/RUB+BBQ.jpg?__SQUARESPACE_CACHEVERSION=1312165568740" alt="" /></span></span><br /><strong>RUB BBQ - Righteous Urban Barbeque<br />208 W 23rd St # 2<br />New York, NY</strong><a href="http://www.rubbbq.net/"><br />http://www.rubbbq.net/</a><br /><br />Amidst the hustle and bustle of 23rd Street, RUB BBQ has a <br />way of both sticking out and blending into the Chelsea scenery.<br />Past visits here have found the restaurant to be comfortable<br />enough for casual dining during a ballgame or raucous enough<br />for happy hour. The menu prices are about average for the <br />area, with the exception of the Down Home Pig Pick'n(which is<br />an entire BBQ'd side of pork with four sides) and The Empire,<br />which is a full-out platter of everything with a bottle of Dom<br />Perignon champagne. As far as appetizers go, definitely go with<br />the fried green tomatoes. The wings are okay, but a bit pricey<br />considering how much you get in an order. The brisket was a <br />bit dry but not to the point where it was rough and devoid of<br />all flavor. The chicken was especially good as well as the ribs,<br />although paying an extra 50 cents for sauce on your order? <br />Not so much. Be forewarned: they do run out of menu items<br />(as we found out when we tried to order the burnt ends) and<br />depending on what you want it can be a bummer. But the staff<br />is overwhelmingly friendly and overall, RUB BBQ is decent for<br />some 'cue on the go.</p>]]></description><wfw:commentRss>http://manifestomag.net/due-process-reviews/rss-comments-entry-12354016.xml</wfw:commentRss></item><item><title>Song: J Dilla - 'Think Twice' (Dilla Week 2011)</title><dc:creator>Forge</dc:creator><pubDate>Sun, 13 Feb 2011 04:54:40 +0000</pubDate><link>http://manifestomag.net/due-process-reviews/2011/2/12/song-j-dilla-think-twice-dilla-week-2011.html</link><guid isPermaLink="false">354524:3780364:10464394</guid><description><![CDATA[<p><iframe title="YouTube video player" width="480" height="390" src="http://www.youtube.com/embed/RWHBXJQ8fyQ" frameborder="0" allowfullscreen></iframe><br /><br />In 2003, the world got to finally go one on one <br />with J Dilla thanks to BBE Records' Beat Generation<br />series. Welcome to Detroit became a hip-hop staple,<br />one that played well in clubs as well as the streets. <br />A track that stood out for many was 'Think Twice', a <br />short gem full of aged spirit not unlike a glass of <br />Johnnie Walker Black. A quick homage to jazz pioneer<br />Donald Byrd's release of the same name, this song <br />featuring Dwele is rich and mellow. You can't help<br />but feel at ease once it begins. The key element that<br />many didn't realize until afterwards was that it wasn't<br />Dwele singing, but DILLA. While he was puffing on a<br />joint at that. Dwele played the piano and performed<br />on trumpet. Few realized that Dilla had a singing voice.<br />Consider that yet another facet of the treasure his <br />musical ability was.</p>]]></description><wfw:commentRss>http://manifestomag.net/due-process-reviews/rss-comments-entry-10464394.xml</wfw:commentRss></item><item><title>Song: Busta Rhymes /w J Dilla - 'Takin' What's Mine' (Dilla Week 2011)</title><dc:creator>Forge</dc:creator><pubDate>Sat, 12 Feb 2011 05:02:21 +0000</pubDate><link>http://manifestomag.net/due-process-reviews/2011/2/12/song-busta-rhymes-w-j-dilla-takin-whats-mine-dilla-week-2011.html</link><guid isPermaLink="false">354524:3780364:10458149</guid><description><![CDATA[<p><iframe title="YouTube video player" width="480" height="390" src="http://www.youtube.com/embed/qvUKxlmOKoc" frameborder="0" allowfullscreen></iframe><br /><br />This entry from the Mick Boogie mixtape<em> Dillagence</em> caught<br />a few heads totally by surprise. You immediately get drawn<br />in by its raw fury, both on the part of the beat and Busta <br />himself. Originally an instrumental from the Jaylib collaboration<br />sessions of Dilla and Madlib, the beat raps upon your temple<br />repeatedly like a salesman at your door. Its fresh vocal samples<br />mesh well with a vivid bass guitar loop. Busta, chock full of <br />the usual vigor is unparalled here, spitting lyrics out with <br />wild abandon. You can tell in his voice how hyped up he is to<br />have this beat in his headphones and yet another classic track<br />in both his and Dilla's legacies.</p>]]></description><wfw:commentRss>http://manifestomag.net/due-process-reviews/rss-comments-entry-10458149.xml</wfw:commentRss></item><item><title>Song: Ghostface Killah - Whip You With a Strap(Dilla Week 2011)</title><dc:creator>Forge</dc:creator><pubDate>Fri, 11 Feb 2011 05:31:05 +0000</pubDate><link>http://manifestomag.net/due-process-reviews/2011/2/11/song-ghostface-killah-whip-you-with-a-strapdilla-week-2011.html</link><guid isPermaLink="false">354524:3780364:10445374</guid><description><![CDATA[<p><iframe title="YouTube video player" width="480" height="390" src="http://www.youtube.com/embed/U23NbfDMBaI" frameborder="0" allowfullscreen></iframe><br /><br />When Ghostface's <em>Fishscale</em> dropped in 2006, it<br />was to great appeal on the streets. 'Whip You With A<br />Strap' helped stoke the buzz beforehand due to it being<br />one of two tracks J Dilla produced before passing away<br />earlier in the year. Ghostface's matter-of-fact delivery<br />and gift for layered storytelling in this song about his<br />childhood and his take on how children are raised now<br />shine all the more brightly with such a mellow backdrop<br />Dilla created. The beat had been made before, and was<br />entitled 'One For Ghost' off of <em>Donuts</em>; combined with a<br />Luther Ingram sample, each subsequent note drips like<br />honey and stirs up warm memories. Just the way good<br />music should.</p>]]></description><wfw:commentRss>http://manifestomag.net/due-process-reviews/rss-comments-entry-10445374.xml</wfw:commentRss></item><item><title>Song: J Dilla - 'I Told Y'all' (Dilla Week 2011)</title><dc:creator>Forge</dc:creator><pubDate>Thu, 10 Feb 2011 04:29:31 +0000</pubDate><link>http://manifestomag.net/due-process-reviews/2011/2/9/song-j-dilla-i-told-yall-dilla-week-2011.html</link><guid isPermaLink="false">354524:3780364:10426290</guid><description><![CDATA[<p><iframe title="YouTube video player" width="480" height="390" src="http://www.youtube.com/embed/y8ba6OjMBfA" frameborder="0" allowfullscreen></iframe><br /><br />This instrumental is a gem from the recent release<br />'Jay Stay Paid'. From the opening note, it's all about<br />the head nod as Dilla lets loose with a steady drumline<br />that crashes repeatedly. This track is another example<br />of just how easily he could weave a few layers of sound<br />into a musical tapestry, from the signature airhorn to<br />well placed guitar riffs and verbal samples. Short it may<br />be but lacking in flavor it sure isn't.</p>]]></description><wfw:commentRss>http://manifestomag.net/due-process-reviews/rss-comments-entry-10426290.xml</wfw:commentRss></item><item><title>Song: J Dilla - 'Heroin Joint' (Dilla Week 2011)</title><dc:creator>Forge</dc:creator><pubDate>Wed, 09 Feb 2011 02:23:44 +0000</pubDate><link>http://manifestomag.net/due-process-reviews/2011/2/8/song-j-dilla-heroin-joint-dilla-week-2011.html</link><guid isPermaLink="false">354524:3780364:10410252</guid><description><![CDATA[<p><iframe title="YouTube video player" width="480" height="390" src="http://www.youtube.com/embed/jdKNe_DMR1U" frameborder="0" allowfullscreen></iframe><br /><br />What separates the slap chop producers from<br />the beatmakers is a varied skillset, one that <br />grows over time. One skill that some contemporary<br />producers could benefit from is the ability to discern<br />whether one should manipulate a sample drastically<br />to fit their vision or tweak it here and there so as not<br />to disturb the magnetic appeal of it yet letting it fit<br />what they want to do. J Dilla was highly adept at this<br />skill and arguably no other beat illustrates this than<br />'Heroin Joint', a rare beat unearthed just after his <br />passing. It's short, but seems to expand with every<br />horn and muted organ note. It drips with soul, and <br />no wonder; Dilla sampled 'King Heroin', a powerful<br />spoken word piece by Soul Brother Number one, James<br />Brown. It doesn't take a careful ear to pinpoint the <br />sample but one is needed to fully appreciate how <br />magnetic and full this instrumental is courtesy of<br />Dilla.</p>]]></description><wfw:commentRss>http://manifestomag.net/due-process-reviews/rss-comments-entry-10410252.xml</wfw:commentRss></item></channel></rss>
